She is still screaming when I find her,
eyes half-baked with broken things.
There are streams that are not rivers,
brooks that are unworthy of their name. There are places in the world
where water inverts, where a river that had been wide turns width
into depth. Places where bodies can never be found, where voices can
scream and almost be unheard.
I don’t know her name. I make it a
point to never learn the names of ghosts. I just stand at the edge of
the river, letting my magic burn bright in the air. Things seen and
unseen circle it, circle me, but I ignore them all as she rising up
from the water, pale as a dead shade of blue, and those eyes. Those
eyes, in a face lined with horror. It drives the other presences
away, which is seldom a good sign.
“Magician?” she says, and her voice
sounds almost human, the wildness of the river reduced to a trickle
of a roar. Almost safe. Almost sane.
“I am that, yes.”
The ghost moves closer, feet not
touching the water. She is clothed in rags and seaweeds. “I cannot
find him,” she whispers.
“Who?”
“My son. He fell into the river. I
went looking. I’ve been looking for so long.”
“I heard that in your scream.”
“I was crying.”
I don’t correct her. I walk closer
and she is between me and the river, her eyes a wildness again. “The
river cannot take me,” I say softly.
“It will try. No matter the
agreements you’ve made, the pacts you have sworn to. It will find a
way to claim you here. There,” her hand stabs downstream, fingers
that are almost all bone shaking. “The river is wide; here it
narrows, hides. Disguises.”
“I know; it’s compared to the
Strid, a rather famous one in England. But some people survive
swimming Bolsen’s Creek, so there are fewer signs. Fewer warnings
that are not stories. If just one person survives the swim, the creek
gives everyone else a terrible hope.”
“I had no hope. I saw him go under.”
A hitch, the ghost flickers. “I jumped. I thought to save him.”
I consider options, and thread a hint
of power into my voice. There is power to be found in this place for
any magician to use, but none of it is pleasant. All of it is
tainted. “When did it happen?” I ask, in words that cannot be
ignored.
“He fell in march.” The ghost moves
back over the water with each word, as if jerked back, pulled.
“And you?”
“June,” she whispers, shuddering
all over.
I wrap moonlight into the ghost,
holding it above the water. “You saw him go under, and you were too
scared to jump then. We all make mistakes, or we would not be human.”
“I should have saved him!” Her
voice is a wild screaming beating on the air.
“You did not. Perhaps even could not.
The river holds secrets well, and spirits as deep as it can. It is
hungry, as all rivers hunger. That you can pull yourself free says
much about your strength. But you are not driving people from the
river,” I add, as gently as I can. “Your fear is pulling them
here, your need drawing them to do what you never could. People are
seeing a child, and they are leaping in.”
“No.” I say nothing. “No!” Her
scream drives into me, pulling at me, tearing at the fabric between
the grey lands of the dead and the tenuous ones of the living. But I
did not lie, not about any of this. I will die by water in time, but
not here. Not now. The ocean may have claimed my death, but many
other things have claim to my life at present. Anchors against the
river.
The ghost shudders, her scream turning
wordless, her face a mask of raw emotion. Unable to find her son, she
blamed the only person she could. Herself. She haunts herself, and
that is her power in this place.
“The river claims enough without you
adding more,” I say, and the ghost shudders. “I do not know if
your son’s spirit is claimed deep below the waves. But I can
release some of your guilt, perhaps enough for you to reach him.”
“You cannot – you cannot –.”
I reach out, with a hand and magic
both, touching the essence of the ghost and pulling gently. The guilt
falls upon me like a shroud, pulling me toward the river with its
desperate power. I force it back, change the shape of it, and let it
loose back into the world. Turning it into a conscience for those who
thought they’d successfully butchered their own. It takes only a
moment between breaths, but I am shaking afterwards, drained almost
beyond telling by the effort.
“Magician,” the ghost says, and
there is something like wonder in her voice.
“I have done what I can. I can make
the opening, but I cannot be the door you pass through.”
The ghost steps into herself, and then
under the water. There are no screams, just a desperate silence.
I have no idea if she will find her
son. If his spirit is trapped by the river. If the river will ever
let them meet or let them go. There are limits to magic. But even so,
I crouch down by the river. Not close, not too close. “Here me,”
I say, and don’t try and hide my power at all. “I am friends with
a fae, Bolsen’s Creek, and she could unmake you in a moment if I
asked it. I know others who could force you, who could bind even your
wild power to their ends. I would rather not have to do this.”
Nothing in the river responds. But I
think, for a moment, that I hear two cries of something that could be
joy sounding far, far under the water. But I cannot be sure. I stand,
slow and tired, and walk back to the motel Dana and I are staying in.
I think about the dead. I think about he living. And I think it is a
very good thing that magicians do not become ghosts when we die.
Gorgeous, Alcar!
ReplyDeleteOne thing I would like a little clearer about your magician stories, I'm never sure whether the magician is compelling them somehow to talk/answer, or if they are just happy to speak to him... the motivation, I suppose :)
Ah! Yeah, it does get a bit nebulous. In general, though, the magician seldom directly compels answers from people (unless speaking in italics) since it is a negation of free will/agency. Mostly, he uses power to let someone know: 'hey, this is what I am. You can answer me, or we can get direct...' when he has to, but most of the time the entities he contacts are grateful to converse with anyone at all. He can also speak on 'words that can't be ignored' which basically amounts to speaking truths that others can't pretend are untrue, but this seems to be a quirk of him as much as his magic.
DeleteGenerally, when the magician forces others to do things he accrues a 'debt' to the universe that he feels must be repaid at a later date. Whether this debt actually exists or not is an open question; some magicians believe there is no such debt since the universe (and their magic) direct them to fix and repair the universe itself, so that clears up all debts. Which also tends to mean that they're magicians who are more likely to abuse their abilities, which the magician is (in general) terrified of doing lest he end up like the kind of monster his father was.