We talk about privacy and security, of
liberty and freedom. We speak of barriers as if they were walls, make
this one thing. That another. Like finding out where a writer ends
and the story begins, trusting the acting before the actor. The
teller as more than the tale. No. This isn’t working. Too far
upside its own arse to be a story, or anything at all. To write is
nothing; the fact of finding a writing, everything. Same thing.
Everything shifted pretentiously. Random latin phraseology. The
desire to hide incohesiveness in word salad. We shall be uncohesive,
undercohesed. It’s almost so easy that it feels like cheating.
Went for a walk. Didn’t help. Feeling
off. Odd. Shifted sideways. Uncomfortable in my own skin after having
worn it for so long. Do you wake up one day and realize your skin is
clothing, that you are
something taken off, lost, discarded in the search for a new home?
Absurd. I can’t write like this. Not anything worth reading.
“Sorry.”
The skeleton
seeking a new home. A not-horror story about identity bookended by
now our body is ‘new’ every ten years or so so the quest has no
meaning in the end. We are and are not. Same fluff.
“I
said I was sorry!”
I turn. I stare.
There are no words for a despair of madness. Not this one. “Jay.”
“Uh-huh!” He
grins, and the grin is eleven and jaysome and somehow – somehow it
doesn’t touch me. Not as it should in the stories. “Uhm!”
“Uhm.”
“You’re kinda
feeling weirdy because! I realized you don’t have friends like I
have Charlie and Honcho!”
“Real people tend
not to have friends in the way fictional people do. That is true.”
I write Jay. But
even I try sarcasm. I think it’s a defense. Maybe the last one I
have left.
“So! I pulled a
Honcho and found a god and put them inside you so you’d have a
friend!”
I
stare at Jay. I count to ten.
I don’t bother telling him that’s not possible, that gods in the
real world don’t work like they do in his stories. I’m not about
to give him ideas.
“But but but I
think maybe it kinda removes a muse? Or replaces it? Or just does
pretty weirdy bindings.” He nods sagely, as if that explains
everything. Unfortunately, it does.
“Would you please
undo it?”
“Okay!”
I feel – relaxed.
As if a tension I didn’t know was gone. The headache from the
morning I’d have buried was gone as well. I almost want to ask what
kind of god Jay put in me. Or where it is now. I don’t. I’d like
to think I know Jay better than others do, or at least what to avoid.
“You’re
being really quiet. Are you okay?!” he presses.
“I’m fine. Glad
to be me again. You can go back now?”
Jay gapes at that.
“Wow. You don’t want to have a single adventure?!”
“I – I have
enough already. Honest.”
“You can have
enough adventures?” Jay stares in astonishment.
“Yes,” I say
quickly.
“That’s really
weird! I bet that’s because you are weird,” he says happily.
“I – wait.
Compared to you?”
“Huh?”
“Uh. Some might
call you weird?”
Jay draws himself
up. “I,” he informs me, “am jaysome.”
“Right Noted. And
going home now?”
“I probably
should! I bet Charlie and Honcho are really worried!”
He vanishes.
Between one moment and the next. I almost breathe easily before he
appears again.
“Does anyone care
for you like Charlie and Honcho do for me?”
“I’m not
eleven.” Somehow, it makes sense to say that.
“Oh.”
And there is something sad and strange in Jay’s face, and he is
gone again a moment later.
I begin to write a
story.
This one works.
It is only when my
computer decides to glow in the dark hours later that I realize where
Jay put the god.
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