2.
Magic & Machines
The car Charlie finds for the trip is a
beat-up station wagon that has seen better decades and could probably
have been re-purposed as a tank with little effort. She claims it’s
a selling feature and we can run over monsters and cultists that way.
It even has wood panelling on the inside and seats that had been
recovered in fabric from seventies orange and brown couches. I decide
not to ask if she’d bought it as a mercy to the owner. I drag up a
memory from childhood and tell her the Mystery Machine would never
have done that, which leaves her snickering and explaining Scooby Doo
to Jay, though her version is definitely not for children.
I walk around the car as she explains
Velma and Shaggy to a creature from Outside the universe. Part of me
wonders what might happen if Jay is able to return home and the
stories he might tell other entities, the rest is focused on weaving
magic into the car. It is solid, from the era when vehicles were
built to do more than boost profit margins for companies. It doesn’t
want to break down, and I meet its desire with my will and weave
strength and protections into it as I circle it slowly. Most of the
working I make is simply ways of not being noticed by the police or
anyone else seeking to bother us. Not having to get into an
altercation is the best protection one needs often enough.
I circle the car three times before I
stop and walk over to Charlie and Jay.
“So?” Charlie says.
“Good choice. We’ll still need to
pay for gas but with luck the car won’t break down at all. You mind
tossing everything in the trunk?”
She shrugs and begins grabbing duffel
bags from our motel room; I walk over and sit on one of the barriers
devoid of a car. Jay follows wordlessly and sits beside me.
“How strong are you?”
The boy considers that gravely for a
few moments. “I think I could lift the end of a car? If I had to?
Or break a door with luck? I’m not big enough to hurt people
greatly.”
“And you don’t heal as far as you
should. Or at all from small wounds.” He nods, biting his lower
lip. His teeth seem almost human, the rest of him the same: even I
can barely tell he’s not human and that’s mostly because of the
binding between us. “I don’t want Charlie worrying about you, so
I’d like to take that strength and make you tougher instead, if
you’ll let me?”
Jay blinks. “You can do that?”
“I can try, if you’ll let me?”
“I bound my thelf too you,” he
says, the word self sharp despite his lisp, “you don’t need to
ask”
“This is me asking.”
“I – yeah,” he mumbles,
deflating. “Can you?”
I reach out to his chest with my right
hand and press into flesh. He looks human but he’s not, even if he
can fool himself about that to an extent. He lets out a whine of
agony that thrums along the binding between us but doesn’t scream
as I push further, my hand sinking into his flesh. He is small here,
would be small Outside, beyond the universe, his potential to be more
shattered by forcing himself into our world to hide from something
trying to destroy him.
I can’t do anything about that
damage; I wouldn’t even know where to begin. I bring my need and
desire to bear, reach my other hand for his hand and squeeze it, his
returning squeeze a convulsion of pain that makes my hand throb a
moment before the strength bleeds out of him, shifting into flesh and
bone, changing itself to my desire, to Jay’s need, to our will.
I pull free finally, both my hands
feeling numb, and he just sits, panting for breath, his eyes too pale
to be human as he just gulps in breath after shuddering breath, the
mark of my hand on his body fading from the world.
“Jay,” I say, half a question.
“I’m fine,” he says, his voice
pale, but accepts my help to stand and clings to my grip as we walk
back to the car.
I shake my head to any question Charlie
has and get in the back. Jay crawls in beside me and passes out a
moment later, body pressed into mine, using the binding to help
himself heal. He was just getting used to a body in this world and
I’ve twisted it up under him.
I wrap my left arm around him and
ruffle his hair. “You did good.”
He relaxes into me and lets out small
whimpers of pain, not protesting at all when I pull some of it out of
him.
“So,” Charlie says as she pulls out
of the parking lot onto the highway.
“We made him tougher. It was harder
than it should have been but he should be awake in a few hours. And
hungry.”
“As if he’s never not hungry,”
she says with a snort. “What about me?”
“I can set up some basic wards if you
want, but I’d rather not. A competent magician might – might –
sense the binding between Jay and I, and I think another Other might
sense what he is. If you don’t have my protections on you it could
give us an edge.”
She drums her fingers on the wheel.
“People might think I’m just a driver.”
I shift Jay a little; he grumbles in
his sleep and shoves into my side. “That, and if some other
magician manages to disrupt my magic you’d be left unaffected. Most
of them won’t suspect that.”
“Huh.” Charlie glances back, then
whips her phone out and snaps a picture of the both of us before
turning back to the wheel.
I glance down at Jay and then up at
Charlie. “He’s going to hate you for that.”
“Oh, I know.” She flashes a grin in
the rear-view mirror. “You better get some rest as well. Work some
magic so the two of you don’t hear my playing tunes and sleep.”
I consider protesting, but I have the
pain I took from Jay to deal with and I know I need to be prepared
for anything that happens next. I wrap silence around Jay as well as
myself and sink into a sleep of shadow-ridden dreams where my fingers
sink into flesh and burn whoever I touch and it never hurts me at
all.
I decide to forget the dreams on
waking.
Heh, I was kinda hoping for a body in the trunk when Charlie went down with the bags ;)
ReplyDeleteSadly, that never even occurred to me. Hmmm ... it might be fun to toy with later on. A cursed vehicle whose trunk always contains ... problems.
Delete"Oh, I am so glad you are here officer! This man just shot himself fourteen times, wrapped himself in a garbage bag and leapt into the trunk of my car and .... why are you looking at me like that?"