I'm at the 12.5K mark of the second draft of Kiln and Kin. In about a thousand words I'll hit one pivotal scene I'd hit at before the 9K mark in the previous draft, which isn't bad at all. That I'll be able to fit most of the scene in verbatim is also handy -- I'll likely read ahead in the first draft and see what else I can yank out soon, including a few decent bits of dialogue that will hold up just fine in this version.
The second draft does come slower, but I also know the characters better. I'm still feeling out where the plot is going but by this weekend I should have the end-game in mind and go toward that. Doing the second draft of this story is actually helping a lot with the second draft to Ghoulish Happenings, mostly in terms of figuring out how to decide what to keep and how best to keep it. I think I'll just go through the first draft of that again with a lighter and mark the passages that should survive in some form to the second draft, sketch out the plot a bit better and then discard everything else.
GH is going to need a few subplots added, since the one major one is being excised entirely. Since it was full of problematic issues and constant struggles to get it to make sense in the narrative, this is for the best. It also means the relationship between Bryce and Wray can be explored in different angles in that story and probably end up being a lot creepier. I hope.
As for this story: I'll probably be at the 15K mark before the actual antagonist shows up (by proxy, but even so), which does fit the story. Jonas isn't aware of what Qirjin is, or that the gifted exist at all among the masses of humanity. It also means that the characters have almost a week in novel-time just to become friends, get to know each other and have things be mostly normal before that all starts falling apart. Normal is good. It gives the characters some goal to strive toward, after all.
Now back to writing.....