The door to the shop opens. It
shouldn’t: I’ve set the privacy baffles to maximum and an
automated reply to tell customers I am busy and to call back later,
not that I get many customers in person. The last was at least two
years ago, from the restaurant down the road, a cook who only came in
person once to see about getting some of their vehicles fixed so they
wouldn’t crash during deliveries. There is only one person the shop
would let in these days without notifying me or asking questions. I
don’t have time to clean up, less time to hide anything. I settle
for swearing inside my head at length.
Max is limping when she comes in. Her
body is green-grey, skin turned into an impact mesh, bone blade-sharp
under it, quills extending out along her back. A second spine might
explain the limp but doesn’t; the shop has a good scanning system.
I do as well.
“You said you might come by
tomorrow.”
“I changed my mind; leg was acting
us,” Max begins lightly, then falls silent and walks over. Max has
done two tours of the war: the first as male, the second as female.
She was planning to do a third as neuter, if she was pressed into it.
Her parents had designed her and her sib to be able to accept
body-modifying traits at a staggering speed and rate of success.
Neither Max or Kel had ever known why. Kel had died to illness,
excepting becoming a transfer – mind leaving her body into a new
shell – so she could continue to explore the universe as radio
waves in her case. Max had made a living as an exotic hired for
parties, until her parents revealed they had some legal clause to
sign Max up for the war. And had done so.
Max had done a second tour just to
spite them. And severed all contact with them after the first,
legally and otherwise. Max had lost his right hand in the first tour,
her left leg in the second it seemed. I’d never asked for details,
Max had never offered any. All I knew was that the Hingari were alien
and we – humanity – were fighting them. Just about everything
else was on a need-to-know basis, even in the Infoweb, and mechanics
ranked as not needing to know at all. I’m not allowed to fix
military vehicles, being a transfer, so I fix civilian ones as I
always have.
There are only two vehicles in the shop
right now. Max has noticed that, but is more focused on me as she
walks over. I don’t look good. The left side of my chassis is wide
open, apps and innards visible; I’ve been using four arms to repair
systems, upgrading and updating others. My transfer body is tough.
Tough hadn’t been enough.
“What happened?” Max says softly.
“The restaurant closed down three
days ago. I’m the last store on the road, so I win.” I grin in
the viewscreen on top of my body at her, but Max doesn’t return it.
“One of the cooks said they had some old vehicles no one was
taking, and I could have them if I wanted to.”
“Dar.” Max steps closer. “Don’t
you dare turn your viewscreen off.”
I blink, stare at her, lick my lips. I
made my viewscreen well, and my voice module is as decent: I’ve
never considered those a flaw until now. “There were six of them
waiting outside. They had impact rifles, emp-batons. Weapons. I made
it back inside.”
Max says nothing; my chassis is
battered, the pieces of it on the tables still being repaired. I
fixed my treads first, so I could at least get away – try to get
away – if anyone broke into the shop today. Bodies are important.
You learn that even when you don’t have a normal one: mine was
almost five feet tall, a cylidrical shape on treads, tapering to a
viewscreen, with a dozen limbs for use as needed to fix cars. I’d
used them to upgrade and repair my body a few times, but never to
this extent. I’d never been damaged like this, not even when my
grandfather blew up the shop because my existence horrified him. It
had been a lifetime ago, and you forget things. Like being helpless.
Like pain.
The tip of Max’s tail twitches
violently behind her; she reaches out a hand, pulls back as my arms
spasm between us before I can stop them. “How bad is it?”
“I’ll survive. They did a lot of
damage; it’s going to be at least a day fixing the projection
system alone. I’ll have to upgrade my body after this: be tougher,
more resistant to weapons.”
“More like armour,” Max says for
me.
“Yes.” I finish some small repairs,
and relink the rest of my chassis, test apps to make sure everything
is holding together. Even in front of Max, it scares me to be naked.
For Max to see too much. Max knows what I am, but to see the guts of
it, the mechanics. I didn’t want that. “You were supposed to come
tomorrow,” I say again, and catch the whine in my voice.
“I lost my leg; the one they built
isn’t near as good as what you could do. The hand is fine, though.”
“I could look it over. Check it
out.”
“Your legs are fine?” Max says
lightly, poking a tread with her tail.
I manage to keep still this time. “Yes.
Sit.”
Max sits down on a scanning table. I
scan the leg, poke it a bit with a few limbs, open it up after
disabling neural relays. It takes less than five minutes to update
apps, repair a few connections, reroute others. I lose myself in the
work pull back after to seal up the leg again. Max flexes the leg a
few minutes later, wiggles toes, stands, walks a few seconds.
She looks over, grins. “You could
branch out from vehicles into limbs, you know.”
“I like fixing vehicles.”
“I know. I’d rather not think of my
leg like that,” Max says lightly, walking back over and circling
me. “You look a bit battered, but it’s not too bad. Can you do a
projection?”
“No.” The one I have set up shows a
human me. I’d kept it as me when I’d been transferred for years
until Max pointed out that an eight year old projection as a mechanic
didn’t inspire confidence. My current projection is of me at
twenty-five or so, or at least how I think I would have looked. It’s
good enough to fool basic censors, and people prefer to interact with
it than me most of the time.
“You’ll have it done by the time I
come back tomorrow?”
“I could,” I say after a pause.
“Why?”
“You’ll find out.” Max grins,
waves and heads to the door.
I begin working on the projection app
after the door closes. I don’t need much energy, don’t sleep. I
don’t even rest, as humans understand it. But I can lose myself in
my work, relax and have hours pass that I barely notice. Max’s
light cough, and then a louder one, rouse me from the work. Hours
have, indeed, passed. Max looks the same, though sans limp. I find it
odd she’s keeping the impact skin, but don’t thin to ask why as I
test the projection.
“It’s not perfect, but it’s
working. Treads working, eight out of twelve limbs functional,” I
say out loud when Max asks how I’m feeling.
She snorts. “That’s not feeling,
Dar. You’re in good shape, though?”
“Yes,” I say warily.
“Good. Come on,” and she turns,
heading to the door of the shop. Opens it.
I don’t move.
“We’re going for a walk.”
“No.”
She pauses, leaves the door open, walks
back. “Dar. If you don’t, it’s going to be harder next time.
And harder still the next time you try. It’s tomorrow. I said I’d
come back, and I did, and you – we – please.” She offers no
poke of the tail, just her one normal hand gently resting on my
chassis for a moment. “You fixed my leg: I should walk on it, to
make sure. You can check out your work.”
I stare at her, then the door. “I
don’t have any weapons,” I say, and my voice is small and very
human to my ears.
“Do you want to?”
I shake my head in the viewscreen. My
body trembles a little.
“I have weapons.” Max smiles, and
the smile is hard and almost alien. “And I will use them if anyone
bothers us.”
I gulp. It takes effort not to shut off
the viewscreen, not to hide. I move forward, stop. Reach out a limb
and extend it to wrap about Max’s tail. “Help?”
Max blinks, then just nods and walks,
gently pulling me along behind her on neutral until we’re outside.
Down the street a little. I finally let go of her tail, catch up
slowly, treads shifting to keep balanced on the road. I’m scanning
the street around us for people and weapons and I can’t stop myself
from doing it.
My projection flicks on, and my eyes
are darting about in the same way, wide and wary, nervous and scared.
Max reaches over. I extend a limb, fit it into the projection so her
hand squeezes that. She doesn’t tell me why the cook and his
friends attacked me, how bad the war is going. We just walk, and she
lets go, and we move side by side in silence until I say we’ve
probably tested her legs just fine.
She smiles at that. “Feeling
better?”
“No. I’m still terrified,” I
whisper. Max says nothing to that. “Can you come back tomorrow?”
Her smile widens a little, and some
tension I didn’t even notice eases in her. “We’ll have another
walk tomorrow.”
She walks back to the shop with me. I
don’t protest it, or try to break her silence. She’ll tell me
about the war when she wants to.
We have time. We have tomorrows.
Oh, I'm glad there was more of this when I scrolled down :D Like the two different POV's.
ReplyDeleteIn the earlier (later?) piece, Max felt very male when in his/her POV, but here, he/she does seem more female, probably 'cause you're referring to Max as 'she'. Interesting how that shapes perception.
Her one line: "And I will use them if anyone bothers us." sounded a little clunky/forced, but the rest of the dialogue read really smoothly :)
Ah! Yeah, you are reading 'em in reverse order :) And: good (re: the line sounding forced). I was hoping to get across a little of how the war changed Max by not putting in contractions in that small bit and making the words short and choppy.
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